3,000+ ads scripted and recorded, 25+ clients, £100K+ a month in managed ad spend, all tracked end to end, and a slightly unhealthy obsession with Meta's algorithm.
You've just seen three. Here's how they were made. Because I track what converts across all my accounts, I know which angles are worth testing before launch. That's why the winners come quickly, and why I keep testing to find more.
A brand-new practice and a brand-new ad account: no pixel history, no learnings, no control ad to beat. Just his bespoke approach to composite bonding, and eight different ways into it.
From a standing start to 250+ leads in three months. The account now has a control ad to beat, because I built it.
One Same Day Smile ad body, eleven hooks, eleven different people: the birthday coming up, the job interview, the entrepreneur, the one who hides their smile in photos. I don't guess which door the audience walks through. I build all of them and let the data tell me.
Eleven doors built, three left standing, and the audience picked the winner, not me. Testing every persona is how you find the one that pays, without betting the budget on a guess.
Goal Framing broke the industry's one-ad-one-treatment rule: one ad selling every treatment through the goals patients actually have, gaps, alignment, colour, the lot. Ten hooks were tested for the concept. The data crowned a winner in March. Instead of letting it retire, I kept rebuilding it.
Five months on, the concept is still producing, hook after hook, iteration after iteration. One winning idea, rebuilt again and again instead of retired. It's now a blueprint rolling out to other clients.
You just watched that loop run, client after client. It's not magic and it's not a bigger team. It's a system, and every lap makes the next one smarter.
Meta fingerprints every creative and quietly starves the copies. So for Dr Lee's winning YOR Dental implant ad, I rebuilt the hook with an AI-generated face pointing to a missing tooth, added a location call-out in the first frame, and trimmed the opening. Same story, read by Meta as a brand-new entity.
Same body, same offer, same footage. A new AI hook, a location call-out, a trimmed opening, and Meta funds it like a brand-new ad. That's an iteration: a few surgical changes the data pointed to, not a re-shoot.
I don't have a favourite format. I have a favourite outcome. Green screen still prints leads on a same-day turnaround. A high-production shoot with a real celebrity testimonial can anchor a whole campaign. If it converts, it's in the arsenal.
Before I built the machine, I was the machine. Billboards, print, display and social for 40+ charity and commercial brands as The Kite Factory's one-man creative department: White Claw out-of-home you drove past, Celsius billboards, Oxfam campaign work, UNICEF ads that led their account. Different scale, same obsession: creative that has to perform.









Also: WaterAid, Crisis, David Lloyd, Skin+Me, Leigh Day, UNICEF Australia, Friends of the Earth, and four years of display advertising.